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ERITAGE é um projeto independente que busca constantemente apoio para desenvolver sua investigação e atividade. Vender obras, originais e múltiplas, dos participantes, é uma das nossas principais formas de alcançar um modelo viável e sustentável de desenvolvimento, produção e educação artística.

ERITAGE is an independent project that constantly seek support to develop its investigation and activity. Selling works, originals and multiples, from the participants is one of our main ways to acchieve a viable and sustainable model of development, production and artistic education.

 

ERITAGE é um projecto artístico independente que busca constantemente desenvolver sua investigação e atividade. Vender obras, originais e múltiplas, dos participantes, é uma das nossas principais formas de alcançar um modelo viável e sustentável de desenvolvimento, produção e educação artística.

ERITAGE is an independent art project that constantly develops its investigation and activities. Selling works, both originals and multiples, from the participants is one of our main methods to achieve a viable and sustainable model of development, production, and artistic education

* All products listed below are subject to availability. *

 
 

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Playing is Praying | Silkscreen

Playing is Praying | Silkscreen

€200.00

Title: Playing is Praying

Size: 50 x 70 cm {unframed}

Technique: Screen print technique on 250 grs paper

8 colours | Edition of 30

numbered and signed by the artist

printed in Lisbon, Portugal by Lavandaria

* Price above is without shipping

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Born in 1982 he grew up in London and went on to graduate from Central Saint Martin’s in 2002. Currently lives and works in Margate, UK.

“The british artist is renowned for exploring themes around the "mind human condition" – David works in this conflicted and messy space, which ultimately relates to the human condition: a relentless need for control within a disordered world. His vibrant, vital paintings present a chaotic system, in which natural forms, freely connected words and human features both burst from and are contained within grids, boxes and organised lines. Contradictory feelings of freedom and confinement, safety and claustrophobia, coexist within his works. 

As an artist, David wrestles with this equilibrium of order and disorder. He has returned numerous times to the Carl Jung quote: “In all chaos there is a cosmos, in all disorder a secret order.” His works speak of our all-consuming journey to figure out some form of neat structure. But they also suggest that we will never fully understand the world around us, and that is where the real meaning lies. 

Shillinglaw's portrayal of cosmic order emerging from chaos, the deconstruction and reassembly of elements in his compositions, and the birth of new beings resonate with the transformative potential of thoughts. The artist suggest that the way we perceive and think about the world can significantly impact our internal and external reality.

David emphasizes the mind-body connection, highlighting how our thoughts and emotions can influence the physiological responses of the body. Shillinglaw's portraits, with their unique and fluid representations, invite viewers to consider the intricate interplay between the mind and the physical form. The opalescent and shimmering faces in his works might be seen as visual metaphors for the vibrational impact of thoughts on the human body.

In essence, Shillinglaw's art, offers a visual exploration of the profound impact of thoughts on the human experience. His creation prompt viewers to consider the dynamic relationship between the mind and body, inviting contemplation on the potential for positive transformation through expansive and transformative thinking.

Nascido em 1982, ele cresceu em Londres e se formou na Central Saint Martin em 2002. Atualmente vive e trabalha em Margate, Reino Unido. O artista britânico é conhecido por explorar temas em torno da “condição da mente humana” – David Shillinglaw atua neste espaço conflituoso e confuso, que em última análise se relaciona com a condição humana: uma necessidade implacável de controle dentro de um mundo desordenado. Suas pinturas vibrantes e vitais apresentam um sistema caótico, no qual formas naturais, palavras livremente conectadas e traços humanos irrompem e estão contidos em grades, caixas e linhas organizadas. Sentimentos contraditórios de liberdade e confinamento, segurança e claustrofobia convivem em suas obras.

Como artista, David luta com esse equilíbrio de ordem e desordem. Ele voltou várias vezes à citação de Carl Jung: “Em todo caos há um cosmos, em toda desordem uma ordem secreta”. Suas obras falam de nossa jornada exaustiva para descobrir alguma forma de estrutura organizada. Mas eles também sugerem que nunca entenderemos completamente o mundo ao nosso redor, e é aí que reside o verdadeiro significado.

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